Thursday, February 26, 2015

Winter Street


A view of Van Brunt Street in the Red Hook section of Brooklyn is the subject of this 8x10 pen and ink drawing, number 49 in the series.

Wednesday, February 25, 2015

Red Hook


In our return to Brooklyn with this 8x10 pen and ink drawing, we are looking down Delavan Street towards Richards Street in the section known as Red Hook.  It's early in the morning, and quite cold, but at least the sun is shining.  The name "Red Hook" comes from the Dutch for the point ("hoek") of land with red soil extending into the sea.  I don't think the original red hook is still there.

Tuesday, February 24, 2015

Sloan Slope


This 12x12 oil on canvas is the last winter painting until I make some more.  It's a view from the bottom of Sloan Road looking west toward the Taconics.   Up the hill on Sloan Road is the vantage point where one can see the Hopper and Mount Greylock when turned around looking east.  The building on the left is the farmhouse of Ridgeview Farm.   Back to Brooklyn drawings tomorrow.

Monday, February 23, 2015

Another Winter Snow Scene


This morning it is not snowing.  It's just cold.  This 12x12 oil on canvas I did a couple weeks ago, showing a gully off Stratton Road, where I walk frequently.  There's a veil of vertical trees intersected by a zig-zag of creases in the ground, and a convenient arch formed by branches (it's really there),  a simple and effective composition, not to mention that it's another winter snow scene.

Sunday, February 22, 2015

Wintry Blues



An 11x14 oil on canvas view of a hidden stream at Field Farm north. The stream is just peeking out of the snow at the lower left, and its location is given away by the slope of the ground.  Most of the streams in the area are now hidden under a blanket of snow and ice.  The blue in the painting is grayer than it appears in the photo, at least on imac monitor that I'm using at the moment.

Saturday, February 21, 2015

Big Cold Rock



Another cold blast moves into the Northeast.  I might be wrong but I sense some Brooklyn fatigue.  I don't have it, but I will continue with the pen and inks next week.  The above is an 11x14 oil on canvas of an erratic on the north side of Field Farm.  I painted it quickly with a limited palette.  In my series of snowy woods paintings, I try using a slightly different limited palette for each painting.

Friday, February 20, 2015

A Tree in the Snowy Woods


I've been working on winter paintings, from my snowshoe walks in the woods where there are only sleeping trees and tons of snow.  This 12x12 oil on canvas is a view of another pine tree located at Field Farm south.

Thursday, February 19, 2015

The Connections at Forty-Seven


The forty-seventh pen and ink drawing displays the corner of Franklin Avenue and President Street in Brooklyn.  The bent sign post is also present in the street level Google map photo from October, 2104.  It adds some drama to the drawing.  That is snow on the sidewalk.

I'm reading the book Spirit of Place: Contemporary Landscape Painting & The American Tradition by John Arthur.  He quotes the painter Elmer Bischoff, who said, "The more one brings in terms of depth and diversity of art experience to whatever the art one looks at, the more one will gain from it.  To put this more pointedly, I would argue that a person who responds positively to African sculpture, for example, will find vital qualities in Rembrandt that will escape a person who is blind to the merits of African sculpture.  There is an aesthetic level at which all art forms from all times and all places start to connect."   As you might suppose, Arthur is more inclusive than some of the dogmas in art world would allow.

Wednesday, February 18, 2015

Forty Six in Red Hook


There's a screw loose in pen and ink drawing number 46, of the corner of Delavan and Dwight Streets in Brooklyn, early in the morning.  This area is known as Red Hook, an area that I want to explore further.  When I looked at the street level Google maps, taken last year, for this corner, the stop sign was still securely fastened.  That is snow on the sidewalk.  Google maps didn't have any snow.

Tuesday, February 17, 2015

Drawn Back


The forty-fifth pen and ink drawing shows the corner of Montgomery and Franklin in Brooklyn.  There is snow on the sidewalk and street.

Monday, February 16, 2015

Snow and More Snow


Yesterday, I missed a day, since I was drawn away, but instead of another Brooklyn drawing today, I am posting a more topical painting from a couple days ago.  This is a 12x12 oil on canvas of a location on Field Farm south.  I didn't paint it on site, but I did snowshoe to the location.  A few years back, I did a pastel of this same tree, which I posted on November 2, 2010.  Brooklyn Number 45 will appear tomorrow.

Saturday, February 14, 2015

Drawn Away


The 44th pen and ink drawing, 8x10 with some pastel and charcoal, depicts a view down St. Marks Place at the corner of Grand in Brooklyn.

Friday, February 13, 2015

Mountain View


This is the fifth and last of the 24x24 oil on canvas paintings of the Hopper and Greylock from Sloan Road.  It depicts a late October period.  At this precise location, with the road dipping down, one can see the mountainous expanse spreading to the right.  There are trees to the left blocking the view, which only seem to help the right side expand.  I'm always amazed at how the huge barn with its upward thrust seems to duplicate the mountain. Of course, I assisted the stretch of road at the bottom in pushing up.   In this painting, I love the repetition of the triangle of the telephone pole and the road shape.

Drawing 44 is in the wings, and will appear tomorrow.

Thursday, February 12, 2015

Sidewalk Drawing




An 8x10 pen and ink drawing near the corner of Pacific looking down Classon in Brooklyn.  Number 43.

Wednesday, February 11, 2015

The Hoods Are Up



An 8x10 pen and ink drawing of a car repair shop on Fourth Avenue at the corner of First Street in Brooklyn.  The cars are on the sidewalk and their hoods are up, a common sight in Brooklyn.  Number 42 if you're counting.