Yesterday in the studio, I decided upon this view, which I sketched out this morning in pen, ink and wash, another square. I've already started prepping the painting panel. I wanted to include the overhead tracks and ductwork in the background, or should I say, backair.
Yesterday, I wrote briefly about Robert Hughes, the art critic. I once encountered him at the Whitney Museum in New York. I turned the corner, and he was there looking at a painting. I recognized him immediately. He in turned glowered at me, as if to say, "Don't say a thing to me". I just went on casually paying him no more attention.
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